No two songs on GREY Area sound the same, even when they’re similar the objectives vary, as she probes into their many grooves. ![]() Using more live instruments in place of sampling-guitars, strings, pianos, and drums, mostly-they never settle into one space. The entire album was produced by Simz’s childhood friend, Inflo. “Sometimes we do not see the fuckery until we’re out of it,” she explains on “Therapy.” “Some people read The Alchemist and still never amount to shit.” These are the songs of a woman responding to a nebulous time by making her own way forward. The drudgery of touring, the struggle of modern relationships, processing the trauma of a friend getting murdered, each handled with a delicate and deft touch that never dulls her piercing flows. She buoys these probing looks into the heart of darkness with intimate glimpses from inside her life in motion. She is so grounded in her perspective that even her examinations of societal decay feel deeply personal. In her effort to solve the impossibility of being young and indecisive (coupled with the sensory overload of trekking across Europe), she has improved as a songwriter and storyteller. But working on GREY Area, Simz uncovered the source of her disorientation: she was taking in too much outside noise and losing her bearings. ![]() The album was full of ideas and unsure how to express them.
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